Aziz Anzabi: The Alchemist of Memory and Modernity

Aziz Anzabi’s art speaks in a language that fuses the visceral with the visionary, crafting a dialogue between personal history and collective memory. A British-Iranian artist whose formative years were shaped by the harrowing Iran-Iraq War, Anzabi translates the trauma of exile and oppression into works of searing intensity. His creations, deeply rooted in the ancestral Qajar tradition, simultaneously embrace and subvert the constraints of classical forms, yielding a contemporary surrealism that is unmistakably his own.

At the heart of Anzabi’s practice lies a commitment to interrogate the systems that perpetuate suffering in an increasingly homogenized world. His sculptures and paintings, both dreamlike and disorienting, are inhabited by fragmented figures and distorted landscapes that feel at once alien and familiar. This duality mirrors the dislocation of his own experience, yet extends outward to touch universal themes of displacement, resilience, and freedom.

Anzabi’s works are not only meditations on the past but are also deeply engaged with the present. His statement, “I want to mix tradition into contemporary art because I think that Qajar art is the only style that is solely Iranian, with its own unique framework and techniques,” underscores his role as both a custodian of heritage and a pioneer of innovation. In his hands, the motifs and methods of Qajar art are not relics but living elements, transformed through the alchemy of his imagination.

In pieces that oscillate between abstraction and figuration, Anzabi employs a symbolic grammar that is intimate yet expansive. His fantastical human forms—elongated,